This is the beginning of a little boy. Imagine a small, special box tucked discreetly away within a very large place, filled with moments, pictures, and stories, all notions of a little boy named Daschel.

I will describe keyboards to my son one day in a not-too-distant future when he asks about them. That is when he and I will ask the computer to show us some examples. We will spend a rainy afternoon making make-believe keyboards (QWERTY and Dvorak) out of cardboard and crayons and pretend to type in our queries. The computer will humor us and play along.

It is interesting to think about the ways human interface devices (keyboards, mice, etc) have influenced the way we interact with machines. As I write this, haptics are clearly leading the way into the future. Tt is even more exciting to see how much more intuitive and user-friendly using complex systems will be with access to these interfaces. It is only getting better, in that context.

On the other hand, managing our time, how much we use them, and in what capacities, will continue to be a challenge, along with balancing their use with analog activities like playing outside, for example. For now, typing and staring blankly, alone, into a glowing box in the dark is just one way to spend moments of our lives we’ll never get back. Perhaps, that is what I see as the greatest potential for haptic interface devices, such as tablets. Children are more open to sharing in the physical world with them. Whereas while using laptops they completely zone out even while others are in close proximity. Haptic interfaces allow us to be truly social while interacting with technology.

How will touch interfaces further shape how we ask for, receive, and interpret information from machines in the future?

This 10-minute short film is made up of clips found on YouTube by Chris Beckman, who collected clips of people dropping their video cameras and edited them together into this artful masterpiece:

Simon Christen shot this in the Bay Area:

I love the unfettered, personal nature of this:

We salute at the threshold of the North Sea
in my mind
And a nod to the boredom that drove me here
to face the tide and swim
(Whoaaaa) I swim (Whoaaa) oh swim (Whoaaa)

Dip the toe in the ocean. Oh how it hardens and it numbs.
And the rest of me is a version of man
built to collapse into crumbs
And if I hadn’t come down
To the coast to disappear
I may have died in a land-slide
Of the rocks, the hopes and fears.

So swim until you can’t see land.
Swim until you can’t see land.
Swim until you can’t see land
Are you a man or are you a bag of sand?
Swim until you can’t see land
Swim until you can’t see land
Swim until you can’t see land
Are you a man or are you a bag of sand?

Up to my knees now, do I wait? Do I dive?
The sea has seen my like before though it’s my first
And perhaps last time.
Let’s call me a baptist, call this the drowning of the past
She’s there on the shoreline
Throwing stones at my back

So swim until you can’t see land
Swim until you can’t see land
Swim until you can’t see land
Are you a man or are you a bag of sand?
Swim until you can’t see land
Swim until you can’t see land
Swim until you can’t see land
Are you a man or are you a bag of sand?

Now the water’s taller than me
And the land is a marker line
All I am is a body adrift in water, salt and sky

So swim until you can’t see land
Swim until you can’t see land
Swim until you can’t see land
Are you a man or are you a bag of sand?
Swim until you can’t see land
Swim until you can’t see land
Swim until you can’t see land
Are you a man or are you a bag of sand?

http://www.frightenedrabbit.com/

Behind the scenes with the Exploratorium, A Curious Summer and Tinkering Unlimited as they prepare to work with young learners to harness wind’s invisible power through discovering where it comes from and how to predict its behavior while studying aerodynamics and lift. Through tinkering with wind-powered machines and vehicles, such as a paragliding wing, turbines and sailboats and designing kites and gliders, this hands-on experience will open new doors into the mysterious power of WIND.

Filming the Charlie Parr video last weekend

As I mentioned earlier, last weekend I went down to the river with a bunch of gear to help Dan Huiting shoot a music video featuring Charlie Parr for City of Music and the video is premiering this coming Monday on the site.

See more stills from the shoot and read the article in City Pages

James Brooks and Josh Clancy are Elite Gymnastics

Elite Gymnastics is James Brooks and Josh Clancy. The duo have been receiving quite a bit of national attention for their brand of chillwave tunage. From the New York Post to Pitchfork, these two are getting positive reviews. Minneapolis’ own City Pages had this to say:

…a trance-inducing quality to them, akin to sitting in a darkened opium den listening to ’80s dance hits stream out of a telephone receiver, off in the distance, softly yet persistently.

Check them out for yourself below and if you likey you can listen to more via their MySpace page and/or download their Real Friends EP for free here:

MPLS.tv created the credits for the Soap Factory‘s 10 Second Film Festival and did it so well this opening credit won the award in the ARTHOUSE category, and features the Mayor of Minneapolis, Chris Cloud: